{"id":765,"date":"2020-01-20T19:56:27","date_gmt":"2020-01-20T19:56:27","guid":{"rendered":"https:\/\/mikedeangelis.com\/2019\/?page_id=765"},"modified":"2020-01-21T13:21:23","modified_gmt":"2020-01-21T13:21:23","slug":"for-the-record-a-tribute-to-john-wicks","status":"publish","type":"page","link":"https:\/\/mikedeangelis.com\/2019\/for-the-record-a-tribute-to-john-wicks\/","title":{"rendered":"For The Record: A Tribute To John Wicks"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"597\" src=\"https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2020\/01\/R-14525738-1576347110-3932.png.jpg\" alt=\"\" class=\"wp-image-766\" srcset=\"https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2020\/01\/R-14525738-1576347110-3932.png.jpg 600w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2020\/01\/R-14525738-1576347110-3932.png-150x150.jpg 150w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2020\/01\/R-14525738-1576347110-3932.png-300x300.jpg 300w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2020\/01\/R-14525738-1576347110-3932.png-302x300.jpg 302w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption><strong>For The Record: A Tribute To John Wicks<\/strong> is available from <strong><a href=\"https:\/\/www.koolkatmusik.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Kool Kat Musik (opens in a new tab)\">Kool Kat Musik<\/a><\/strong>.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">From 1979 to 1982, <strong>The Records<\/strong> made history with three albums&#8230;<strong><em>Shades In Bed<\/em><\/strong>, released in the USA as <strong><em>The Records<\/em><\/strong> (1979), <strong><em>Crashes<\/em><\/strong> (1980), and <strong><em>Music On Both Sides<\/em><\/strong> (1982). Rhythm guitarist <strong>John Wicks<\/strong> and drummer <strong>Will Birch<\/strong> formed the band following the breakup of <strong>The Kursaal Flyers<\/strong>, adding lead guitarist <strong>Huw Gower<\/strong> and bassist <strong>Phil Brown<\/strong>. This was the lineup for their first album, which included two of their best-known tracks, <strong><em>&#8220;Starry Eyes&#8221;<\/em><\/strong> and <strong><em>&#8220;Teenarama,&#8221;<\/em><\/strong> both of which were released as singles. Several lineup changes occurred over the course of the next two albums, which were followed by various U.S. and International re-releases.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube aligncenter wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\"  id=\"_ytid_48854\"  width=\"1000\" height=\"563\"  data-origwidth=\"1000\" data-origheight=\"563\" src=\"https:\/\/www.youtube.com\/embed\/o2EkJPSuiDk?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The new album is a bittersweet triumph, completed after John&#8217;s passing by an impressive cast of friends and fellow travelers. The album is magnificent, presenting a work of art that absolutely belongs in the hands of John&#8217;s followers. It&#8217;s on the same scale as the posthumous <strong>Ronnie Montrose<\/strong> release <strong>10&#215;10<\/strong>, assembled by peers who had been moved by his life&#8217;s work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The album opens with the wonderfully Macca-flavored <strong><em>&#8220;The Sun Sets Over London Town,&#8221;<\/em><\/strong> with sharp Beatle-esque lyrics: <em>&#8220;Decides to take an easy ride, selling bathtubs on the side, The family business pays the rent, his childhood sweetheart&#8230;heaven sent&#8230;&#8221;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>&#8220;Repo Man&#8221;<\/em><\/strong> shakes things up with a cool, swampy <strong>Creedence <em>&#8220;Green River&#8221;<\/em> <\/strong>shiver, and spot-on, drawled and snarled vocals.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>&#8220;Money And A Fu Manchu&#8221;<\/em><\/strong> tugs at the heartstrings with the lines <em>&#8220;I don&#8217;t need a lawyer, I don&#8217;t need a friend, someone who pretends to be there, till the bitter end&#8230;I&#8217;ll do anything I wanna do, you won&#8217;t recognize the guy you thought you knew&#8230;&#8221;<\/em>  It&#8217;s irony delivered with a refreshing <em>lack<\/em> of irony, a matter-of-fact declaration of independence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Songs like <strong><em>&#8220;(The Sordid Tale Of) Elvis Strange&#8221;<\/em><\/strong> and <strong><em>&#8220;1-800-Colonoscopy&#8221; <\/em><\/strong>up the offbeat and humorous factor, but also fit perfectly into the overall landscape.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The final three tracks&#8230;the soaring <strong><em>&#8220;Learning To Live Again,&#8221;<\/em><\/strong> the booming, twangy, Petty-like <strong><em>&#8220;She&#8217;s All I Need,&#8221;<\/em><\/strong> and the sweet, acoustic-based, harmony-filled <strong><em>&#8220;Chasing Angels&#8221;<\/em><\/strong> reveal John&#8217;s mastery of balancing the offbeat, fanciful tracks with more traditional &#8220;pure pop&#8221; numbers. Taking the album as a whole, the scope of creativity is staggering, the loss of a major figure in music is driven home in a powerful album that is equal an elegy and a celebration in equal portions. Yes, it&#8217;s January, and yes, this already enters the books as one of the best albums of 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here is the background story on this project, from <strong>Kool Kat Musi<\/strong>k owner <strong>Ray Gianchetti<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;<em>Known for his work with\/as <strong>The Records<\/strong>,<strong> John Wicks<\/strong> was about to record the vocal tracks for this latest batch of songs before his untimely passing in late 2018.  In his stead, friends and pop luminaries have gotten together to see that his final compositions were completed. It&#8217;s a very personal goodbye and a testament to how much John was loved and appreciated by his peers.<\/em>  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The project was masterfully coordinated by <strong>Rich Rossi<\/strong>, one of John\u2019s closest friends. Each artist involved has a personal connection to John. The project was produced by <strong>Jamie Hoover<\/strong>, and features contributions from <strong>John Wicks<\/strong>, <strong>Ray Paul, Peter Case, Jamie Hoover, Al Stewart, Chris Thompson (Manfred Mann\u2019s Earth Band), Paul Collins, Don Dixon, Carla Olson, Bill Berry, Kyle Frost<\/strong>, and <strong>Nick Guzman<\/strong>,  In addition, you\u2019ll hear brilliant instrumental and vocal contributions from <strong>Dave Nachmanoff, Elliot Easton (The Cars), Andy Qunta (Icehouse, Factory), Chris Price, Syd Straw<\/strong>, and many others. Proceeds from sales will go to John&#8217;s son Perry, and to the American Cancer Society.<\/em>&#8220;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From 1979 to 1982, The Records made history with three albums&#8230;Shades In Bed, released in the USA as The Records (1979), Crashes (1980), and Music On Both Sides (1982). Rhythm guitarist John Wicks and drummer Will Birch formed the band following the breakup of The Kursaal Flyers, adding lead guitarist Huw Gower and bassist Phil&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/mikedeangelis.com\/2019\/for-the-record-a-tribute-to-john-wicks\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-765","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/comments?post=765"}],"version-history":[{"count":10,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/765\/revisions"}],"predecessor-version":[{"id":782,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/765\/revisions\/782"}],"wp:attachment":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/media?parent=765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}