{"id":582,"date":"2019-11-10T16:32:43","date_gmt":"2019-11-10T16:32:43","guid":{"rendered":"https:\/\/mikedeangelis.com\/2019\/?page_id=582"},"modified":"2019-11-10T16:32:43","modified_gmt":"2019-11-10T16:32:43","slug":"the-tor-guides-backwards-in-reverse","status":"publish","type":"page","link":"https:\/\/mikedeangelis.com\/2019\/the-tor-guides-backwards-in-reverse\/","title":{"rendered":"The Tor Guides: Backwards In Reverse"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2019\/11\/cover-1024x1024.jpg\" alt=\"\" class=\"wp-image-583\" srcset=\"https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2019\/11\/cover-1024x1024.jpg 1024w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2019\/11\/cover-150x150.jpg 150w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2019\/11\/cover-300x300.jpg 300w, https:\/\/mikedeangelis.com\/2019\/wp-content\/uploads\/2019\/11\/cover-768x767.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The Tor Guides&#8217; &#8220;Backwards In Reverse&#8221; is a Futureman Records release and is available from <strong><a rel=\"noreferrer noopener\" aria-label=\"Big Stir Records (opens in a new tab)\" href=\"https:\/\/www.bigstirrecords.com\/the-tor-guides-futureman-records\" target=\"_blank\">Big Stir Records<\/a><\/strong> .<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Tor Guides<\/strong> is the brainchild of  \u00d6stersund, Sweden&#8217;s  <strong>Torbjorn Pettersson<\/strong>. Albums traditionally fall into one of several categories&#8230;a collection of songs which may or may not be related in some form, a &#8220;concept&#8221; album which utilizes the songs to tell a bigger story, or an album that&#8217;s all about establishing a consistent vibe. This is a &#8220;vibe&#8221; album.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The best point of entry for understanding that vibe comes from the <strong>Big Stir<\/strong> Website&#8217;s take on the album&#8217;s two cover songs, <strong>Roy Wood &amp; Wizard&#8217;s<\/strong> <strong><em>&#8220;See My Baby Jive&#8221;<\/em><\/strong> and <strong>Pilot&#8217;s<\/strong> <strong><em>&#8220;Just A Smile&#8221;<\/em><\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em> &#8220;&#8230;both a bit twisted around, in homage to the &#8217;70s that in many ways formed Tobbe&#8217;s musical taste.&#8221;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>&#8220;See My Baby Jive&#8221;<\/em><\/strong> was a full-frontal, Spectorish assault on the senses, while on &#8220;Backwards In Reverse&#8221; it&#8217;s closer to a waltz&#8230;think <strong>Johnny Rivers&#8217;<\/strong> line about <em>&#8220;slow dancing, swaying to the music.&#8221;<\/em> It&#8217;s a radical reworking of the original, but plays perfectly into the overall mission of the album&#8230;to convey a vibe. We all hear music differently. We all take away something from songs that others might not, and we also miss what others see and feel. This is a collection of fragments that culminate in one man&#8217;s view. one man&#8217;s vision, and maximum enjoyment comes from sitting back and letting that vision permeate your senses.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The touchstones for the album&#8217;s inspiration are firmly rooted in the deeper nuances of <strong>Brian Wilson<\/strong> and <strong>Paul McCartney<\/strong>. Virtually no one pens <strong><em>&#8220;California Girls&#8221;<\/em><\/strong> epics&#8230;they&#8217;d sound somewhat out of step in the modern era, unless an artist deliberately intends to position themselves as a <strong>Beach Boys<\/strong> cover band. The deeper and more lasting influence among artists is the <strong><em>Pet Sounds<\/em><\/strong> and the more abstract, rich, complex soundscapes of <strong><em>Surf&#8217;s Up.<\/em><\/strong> That&#8217;s what&#8217;s in play here.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In terms of <strong>McCartney, Torbjorn<\/strong> employs a key element of Paul&#8217;s technique that is well-known among musicians, but not often discussed&#8230;he was a bassist, but he was far from a simple &#8220;timekeeper.&#8221; He had one arrow in his quiver that was very specific to his style&#8230;he&#8217;d often slide into a note and sustain it over a line of melody. He didn&#8217;t always play a lot of notes&#8230;he used them economically, and his playing was fluid and elastic, and the melodies would follow him just as frequently as he&#8217;d follow the melodies. The bass plays a major melodic role in this album, and it&#8217;s <strong>Macca<\/strong> bass.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That&#8217;s what&#8217;s waiting for you on <strong>&#8220;Backwards In Reverse.&#8221;<\/strong> It&#8217;s an album you put on when you want something tuneful, pleasant, with a melancholy cheer in the face of the modern world. On <strong>Pet Sounds, <em>Brian Wilson<\/em> <\/strong>sang that he &#8220;just wasn&#8217;t made for these times.&#8221; <strong>Torbjorn Pettersson<\/strong> is also living in modern times, but he&#8217;s determined to make them fit his vision, his worldview. He wasn&#8217;t made for these times&#8230;these times were made for <em>him.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Tor Guides&#8217; &#8220;Backwards In Reverse&#8221; is a Futureman Records release and is available from Big Stir Records . The Tor Guides is the brainchild of \u00d6stersund, Sweden&#8217;s Torbjorn Pettersson. Albums traditionally fall into one of several categories&#8230;a collection of songs which may or may not be related in some form, a &#8220;concept&#8221; album which&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/mikedeangelis.com\/2019\/the-tor-guides-backwards-in-reverse\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-582","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/comments?post=582"}],"version-history":[{"count":1,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/582\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/pages\/582\/revisions\/584"}],"wp:attachment":[{"href":"https:\/\/mikedeangelis.com\/2019\/wp-json\/wp\/v2\/media?parent=582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}